Showing posts with label Book Arts. Show all posts
Showing posts with label Book Arts. Show all posts

Sunday, September 7, 2014

Veronica Laurel with Kasibulan at the National Art Fair


Ornamental Study 2
6.5x4.5x1.25"
Hand bound book with carved wooden cover
2014

Ornamental Study 2 in Tanguili
6.5x4.5x1.25"
Hand bound book with carved wooden cover
2014

Endless Knot
6.5x4.5x1.25"
Hand bound book with carved wooden cover
2014

Mahogany Blank
6.5x4.5x1.25"
Hand bound book with carved wooden cover
2014

Mahogany Blank
6.5x4.5x1.25"
Hand bound book with carved wooden cover
2014
Mahogany Blank
6.5x4.5x1.25"
Hand bound book with carved wooden cover
2014


Veronica Laurel's blank book collection with carved wooden covers is one of the unique works among hundreds of artworks available at the National Art Fair held at the SM Megamall Megatrade halls 1 & 2 on September 26 to 28.
Her  wooden carved book collection for this event has eclectic designs that were created during the period of her stay in Buddhist temples in the Philippines and Taiwan. Other designs include the portrait of a serene Buddha on the cover and lotus flowers. The paper she used is very smooth and has  a velvety surface that is also friendly with fountain pens.

Her works can be found in the Kasibulan Booth, a group of women's artists that also has different artworks on sale such as paintings, sculpture, literary works like books, and others.
Kasibulan will also be relaunching Baidy Mendoza's book "Labrador" at the center stage on the 27th of September, hosted by writer Bebang Sy.




Monday, June 23, 2014

Furling Chaos in the Eye of the Storm by Veronica Laurel


Furling Chaos in the Eye of the Storm 2012





Veronica Laurel's work back in 2012 titled Furling Chaos in the Eye of the Storm, which displayed elaborately a fusion of literature and visual arts. Poetry and stories hang loose from the delicately suspended book in a wooden glass case.


Tuesday, June 10, 2014

Art as Manifestation of a Struggle

Art has garnered so many definitions in the past and each artist has his or her own meaning which is in most cases, the very definition to live by. In my short years of living as an artist, transitioning from a full time writer to a full time artist, I have seen and met different types of artists along the way and I have realized that the most comfortable artist in life can’t create an artwork to save his or her life when it calls for it.

When an artist has tasted hunger that cannot be satiated there is a struggle that blooms within that artist and in that bloom is also the birth of creativity. Hunger and struggle are the key factors that transcend the comfortable and the mediocre.


SPOLARIVM by JUAN LUNA
Won the gold medal in Exposición Nacional de Bellas Artes held in
Madrid back in the 1884
Juan Luna may be an Illustrado, a Filipino aristocrat, but his struggle surpasses the material kind. He, among others like Jose Rizal, struggled and sacrificed their lives for a country that is not united in identity and wished that the suffering of the common Filipino will be lifted. That others may be treated with respect and equality, provided with education and human rights.

I was just in Paete almost a month ago and I went to a gallery there. The gallery that was owned by a cousin of my maestro, he spoke to me of the local art and how the San Cristobal painting in their church was mutilated by a person I shall not name, not for now. At that time, they were holding a painting workshop and a child was painting in a corner. A woman exclaimed that the child will be a great painter one day because his parents have everything, that money is everything.
I disagreed and told her most artists that have succeeded greatly were poor. She held her ground that money will make an artist great.
Thinking that money is everything is poison to the mind. We have been lied to by society to think that money will bring us success, greatness, and happiness. It is a lie so terrible that now it eats at the core of the people and is in fact the mentality that is destroying the planet and igniting war.

Drying out the wood oil in the sun
The owner of the gallery asked me to make them a guestbook and in a few days now I shall be delivering it. This is just part of my struggle, to make ends meet as I sell books and accept commissions. I have relinquished accepting wood projects even though they pay well because I have to choose if I just want to work as a person who does wood or try to live off my artworks. Despite not earning a lot, I contented that I am comfortable in this kind of lifestyle, although I may not be able to do a lot of things that requires money, I don't feel like I'm missing out.

Brené Brown said that vulnerability is the birthplace of creativity, that artists are often those who have laid down the armor and embraced the struggle and vulnerability that humans are always visited with. That artists can empathize through their works of art. It is the response to vulnerability, its manifestation.

My mentor, Jose Tence Ruiz mentioned to me once "It's easy to be a good artist, but you'll never be great if you don't become a part of a struggle in the social consciousness."
What does this say to the artists of today? Who are hungry, who toiled and struggled, and those who lived in the comfortable home never visited by famine?
Should there be a battle, the hungrier, always wins.


Sunday, May 18, 2014

Blanko: Why is art expensive?

Blank Book : Collision of Petals
2014
Veronica Laurel Book Art

I sold my books at Art In the Park last March, it was one of my favorite events because there are just so many things to look at but I'm rarely a buyer of art. A friend of mine marveled more on the price tag and less on the actual artwork.
"Why is art expensive?" she asked, it seems that it's something that bothered her and as a writer, letters and words aren't as valued as actual artworks when in essence they are both under the category of art, only with different mediums and discipline.

My Blanko Collection (Blank Books) got sold quite early so by midday, I barely have anything on display.

Centuries ago, art boomed in Europe especially for the Bourgeoisie who must always keep their status afloat. One way of keeping up with the social elites is to purchase art, along with purchasing a customized furniture set from the most famous carpenter. This is where the likes of Chippendale came in, providing special and superb skill in creating furniture. Art has always been a symbol of wealth and taste. It is one of the things to be discussed during tea time, art. What have you purchased? From which artist? How much? Etcetera etcetera...

Today, with the variety of available art and also an array of price tags, almost anyone can enjoy purchasing art and decorating their homes with art that they fancy without caring for social standing. There are so many affordable artworks available today because almost every young talented person wants to become an artist, of course the word "artist" have always been subjected to unholy abuse. There are also those who inflate their prices but most artist would follow a standard set of pricing with their works. 
Art is more than just an object and if a person sees the value of a piece of artwork, it doesn't matter how much it would cost. Suddenly the price is blurred and what surfaces would be the message or idea that the artist is portraying, the skill in execution, ingenuity, and its impact on the person.

Art is not expensive, the price tag is merely a reflection. People who have fat wallets, my artworks are probably very inexpensive but for those who toil each day on minimum wage, it may come as a luxury.



Wednesday, January 15, 2014

The Flow of the River

The Endless Knot
Time is important, yet not everyone values it. In this carved book I created just a week ago I have carved a Tibetan Buddhist symbol, the Endless Knot, that can be seen in their monasteries. It is so because I have realized time is a continuous flux without interruption and has no beginning and no end. It makes each present moment valuable and only the moment that captures life.


Slowly I'm adjusting to the working routine, where projects and artworks are done especially when an exhibit is coming up and clients are waiting. I probably won't be going out with people for a while and my social life will most probably consist of sleep, eat, read, and rest with kitties. Book arts is important so I'm spending a great deal of time creating my works and preparing for exhibits. Such is the life of an artist, especially when one lives in the Philippines - where artists complacently die each day.

This year, I plan to take it easy by simply working on a few exhibits such as my solo show and just a few exhibits on the sides. It is important that after being gone for a quarter of a year that I clean up everything that have gathered dusts like my living quarters and my working studio in Laguna.


Blank : Mahogany

Most of the books that I've been binding are actually blank but there are those that actually have stories, poems, and other literary works that I have and they are commonly found in bigger art works that I make. I have been writing as well as reading since there are so many books to read when a library is at your disposal.

People who purchase my books perplex me when they tell me that they don't want to write on it. I made blank books so that people can turn it into their planner or journal or a book to contain their poetry collection and not something that they should just display in their room. It is lightweight enough to be carried around and to make a nice looking travel journal and I really encourage the people who purchase them to write on the books, their thoughts, feelings, and anything they feel like writing down. The courage to write is important and it's also a nice relic to keep and to have grand children inherit in the future (Haha!)

The Story : Hiding Away
Soon I will be posting stories that I will be including in my exhibit in the future here. Little stories that I have written right after coming out of the temple life and realizing a lot of things.
I'm feeling a little bit anxious about the projects that I've been doing and it's quite a setback that I don't have my woodworking assistant anymore. It's the trade off when going to the temple and not being able to be there and no work was provided when I was away. So now I'm toiling away on my own but the feeling at the end of the day was amazing despite feeling a little bit of body aches here and there.

Working with wood is not something that a lot of people know, so finding a good assistant is rather hard to come by. I've also been doing volunteer work for Mabuhay Temple and would probably spend at least a day there in a week especially when Chinese New Year is near.

Book art commissions are welcome. Just message me. :)

Monday, January 14, 2013

Mulawin Cover Poetry Book

One of the possible book designs for The Mundane.


Traditionally bound mulawin covered book with a modified spine by Veronica Laurel.
These books are available at Blot Art Studio 
(9726 Pililia St. corner Kalayaan Ave. Brgy Valenzuela Makati City)

The Mundane
( A Collection of Poetry and Short Stories)



Ground Wood for Paper

Selling price at P1,300
Pre-order price at P1,000
(Release TBA)

For inquiries, please email us at blotartstudio@gmail.com
Or contact us at 0926-124-3539
Twitter: twitter.com/blotartstudio